Lit is lit books are books. We find certain books at certain times and they change us. Categories are for selling.
From Daemon Voices: On Stories and Storytelling by Philip Pullman. Used with permission of the publisher, Vintage Books. Copyright © 2017 by Philip Pullman.
From The Guardian http://nzzl.us/XM0TsNG via @nuzzel
From the New York Times August 17, 2018
Two things keep Karel Capek’s “War With the Newts” from getting the recognition it deserves: its cover and its title. The best translation’s cover design, black text on teal, has all the panache of a dishwasher manual. And the title evokes spacesuit-clad heroes racing around cheap sets, firing laser guns at unscary animatronic lizards.
Forget all that.
Karel Capek: A Starter Kit
Here’s a brief guide to the newt-free portions of Capek’s oeuvre.
‘The Gardener’s Year’
When he wasn’t dreaming up sci-fi dystopias, Capek was in the garden. This cheerful, exasperated journal is fun even for readers who don’t know a daisy from a dahlia.
Capek’s most popular work while he was alive (it’s where the word “robot” first appears), today it reads mostly like a rough draft of “War With the Newts.”
A trilogy of philosophical novels in which Capek dabbles in detective fiction and unreliable narration. Warning: It makes “War With the Newts” read like a conventional potboiler.
‘The Absolute at Large’
Capek, in 1922, foresees a device that can produce unlimited cheap energy, with the small catch that it might just lead to a world-destroying global war.
When he died in 1938, Capek was working on this bleak polyphonic novel about a half-crazed, compulsively plagiaristic composer.
Rivers of London began as a series of novels by Ben Aaronovitch.
Each volume is a separate story featuring Peter Grant, who is both a junior detective and trainee wizard. He is joined in the stories by his boss Detective Chief Inspector Thomas Nightingale, a police colleague of Nightingale’s, and Peter’s girlfriend, Beverly Brook, who is the goddess of her namesake waterway.
The setting is the dark side of London, where criminality and evil collide. You can read the graphic series, or the novels or both, and on his own website Aaronovich has a chronology, which, of course, is not the publishing chronology, where you can read both in the sequence that the events unfold (mostly).
London is a background, and clearly the inspiration, but these could take place in any big city, on cusp of night and darkness, where reality meets the fears and real dangers that haunt us all.