Along with J.G. Ballard and Michael Moorcock, Aldiss is a leader in British science fiction and fantasy, but like the others, he took that experience and sensibility and wrote some of the most vital novels that should just be thought of as fiction–irrespective of genre.
“I keep thinking of my poor publisher; for twenty years of loyalty, I’ve written them a book that’s not about a rabbi eating toast. I’m so literary and “thinky,” I was like, “I’ve found this new device; it’s called plot. New York Times Sep. 1, 2017
Peter Swanson writes thrillers and his last two, the only two I have read, are set in Boston and New England.
Her Every Fear is set on Beacon Hill, in Boston, where I used to teach, and it has a second strand of the story set in Belsize Park in London, near where I went to secondary school. How could I not read it?
The “Her” of the title is Kate Priddy, and she has arranged a flat swap with her cousin, Corbin Dell, who she has never met. Kate is all alone in the opulent flat in Boston. Then a neighbour disappears, who it turns out later has been murdered and Corbin is a suspect. Several creepy neighbours befriend Kate, but she suffers from some form of anxiety that may come from and although she lets them close, she is both nervous, but can’t step away. The net closes in, and Kate is in real danger that stems from a meeting Corbin had as an exchange student in London many years earlier.
As a writer, Swanson is ruthless. He draws a string around his characters and his readers until the bag is closed above their heads and there is almost no escape. For the readers who like tightly written thrillers with an impressive sense of place his books are perfect entertainments.
There is a question about how to get more boys to read, and Daniel Handler’s answer is give them what they are interested in. The New York Times, writes: “I believe in the power of literature to connect, to transform, particularly for young minds beginning to explore the world. I want books to be an unlimited resource for young people and their curiosity, not a sphere restricted by how uncomfortable some curiosities make adults feel.”
Read the whole article
A full-fledged novel that opens its wings and flies as a young woman sets out from pre-War Germany to London , returns to Berlin and ends in Barbados. Yelin’s graphic novel opens up so much that happened in Europe in the twentieth century through Irmina’s finally unrequited love for a young Barbadian.
Irmina meets Harold, an Oxford student, at a cocktail party soon after she arrives in London, and she gets to know him as she attends a secretarial school and their romance deepens, through joyous times and the racism of the society, which she being German is outside.
In London, Irmina describes herself to Harold as “typist, a Fraulein, Suffragette, Bluestocking, Communist and Emigrant. She loses her accommodation, her parents are no longer able to send her money, and not wanting to become a maid, she returns to Germany, and reenters German society and meets a young architect, Gregor Meinrich. Hitler’s power is increasing, and:
Gregor: “Progress isn’t being made anymore”
Irmina: “But it MUST! It HAS to go on! We’re sacrificing so much here!
Gregor gives up architecture and joins the German army.
In the final section, Irmina now a school administrator, receives an invitation from Harold to visit him in Barbados, where he has become the Governor General.
The colours of Europe are greys and browns. the Caribbean has a little more green and blue although they are still muted, and the air of melancholy that hangs over Irmina’s life is only brightened slightly in this last chapter.
A small thrill ran through me when I saw that one of the books on Miyazaki’s list is Swallows and Amazons.
Here’s the interview.
New York Times review of HOW TO BE HUMAN By Paula Cocozza
Paula Cocozza’s hypnotic first novel, “How to Be Human,” features 34-year-old Mary Green and the urban fox that takes up residence in her London garden. Mary, who as a girl wrote letters to herself to stem acute loneliness, welcomes the vulpine caller. The fox is soon leaving tokens for her, “the kind a knight pledges before going into battle.” She begins to call him a friend. Within weeks, they’ve formed a natural intimacy. In this suspenseful tale animal and human behavior begin to meld, even reverse, and who’s dangerous and who’s endangered is not always clear.
278 pp. Metropolitan Books/Henry Holt & Company. $26.
The pictures that go with the reviews
‘Call Me Ishmael’: A Serialized Version of Herman Melville’s Great Novel, via Apple Pencil https://nyti.ms/2rz4cfJ
Passing on this article from the New Yorker.
Moorcock’s first editorial in New Worlds.
“More and more people are turning away from the fast-stagnating pool of the conventional novel — and they are turning to science fiction (or speculative fantasy). This is a sign, among others, that a popular literary renaissance is around the corner. Together, we can accelerate that renaissance.”
“In 1978, Moorcock did a more thorough takedown in an essay called “Epic Pooh,” in which he compares Tolkien and his hobbits to A. A. Milne and his bear.”